Heil
An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.
Dietrich Brüggemann
Dietrich Brüggemann
Casts & Crew
Benno Fürmann
Michael Gwisdek
Michael Kind
Anna Brüggemann
Hanns Zischler
Liv Lisa Fries
Jerry Hoffmann
Jacob Matschenz
Daniel Zillmann
Oliver Bröcker
Thelma Buabeng
Richard Kropf
Jörg Bundschuh
Joseph Bundschuh
Mathilde Bundschuh
Desiree Klaeukens
Moritz Krämer
Sven Taddicken
Alexander Hörbe
Stefanie Ren
Ruth Bickelhaupt
Alfred Holighaus
Christian Ehrich
Wanja Götz
Jan Krebs
Andrej Vanichev
Martin Schmidt
Nela Schmitz
Maurice Summen
Heinz Rudolf Kunze
Thorsten Merten
Andreas Dresen
Heiko Pinkowski
Alexander Khuon
Oliver Gehrs
Erik Schmitt
Deniz Ekinci
Leslie Malton
Maxie Grossmann
Johannes Gwisdek
Krischan Horn
Johny Haeusler
Axel Ranisch
Dietrich Kuhlbrodt
Robert Gwisdek
Sanam Afrashteh
Johanna Penski
Lena-Marie Seyfarth
Marco Albrecht
Gabriele Summen
Yolanda Summen
Alin Coen
Philipp Poisel
Peter Trabner
Frank Spilker
Lena Lessing
Matthias Elwardt
Felix von Manteuffel
David Sieveking
Marie-Lou Sellem
Heike-Melba Fendel
Daniel Nocke
Tina Pfurr
Lea van Acken
Shahin Shokoui
Ali Ayad
Ahmet Cakirogullari
Veit Stübner
Jockel Tschiersch
Martin Knispel
Maximilian Erlenwein
Karla Kutzner
Martin Frühmorgen
Marcel Neudeck
Susanne Winge
August Zachrisson
Claudia Eisinger
Eva Bay
Monika Anna Wojtyllo
Stefanie Antonia Wermeling
Zora Rux
Ganja Heyn
Sema Poyraz
Çetin İpekkaya
Kai Lachmann
Gudrun Heim
Rainer G. Ott
Thees Uhlmann
Francesco Wilking
Gisbert zu Knyphausen
Lavinia Wilson
Hans Brückner
Katharina Spiering
Heiner Hardt
Bernhard Marsch
Tom Lass
Wanja Müller
Marcus Wiebusch
Oliver Kienle
Cornelis Haehnel
Andreas Schaap
Oliver Baumgarten
Antonia von Romatowski
Franziska Weisz
Jakob Lass
Tim Neuhaus
Kat Frankie
Dietrich Brüggemann
Florian Schwarz
Also Directed by Dietrich Brüggemann
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when she’s at home with her family she follows the teachings of the Society of St. Paul and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct...
Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF 2 in Austria and SF1 in Switzerland. The first episode was broadcast on November 29, 1970. The opening sequence for the series has remained the same throughout the decades, which remains highly unusual for any such long-running TV series up to date. Each of the regional TV channels which together form ARD, plus ORF and SF, produces its own episodes, starring its own police inspector, some of which, like the discontinued Schimanski, have become cultural icons. The show appears on DasErste and ORF 2 on Sundays at 8:15 p.m. and currently about 30 episodes are made per year. As of March 2013, 865 episodes in total have been produced. Tatort is currently being broadcast in the United States on the MHz Worldview channel under the name Scene of the Crime.
A queer trans-ethnic movie kiss leads to considerable turmoil.
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.
Four weeks ago, the members of the Ostfildern Oasis building community moved into their building and the foundation has to be re-excavated due to a sealing problem. An even bigger problem emerges: an unidentifiable female corpse. Thorsten Lannert and Sebastian Bootz try to find their way between group meetings and expressions of feelings by the residents in order to obtain clues about the identity of the dead.