Devika Strooker
Short fiction film about a decisive moment in the life and career of a young female surgeon. The operating theatre is ready, the lamps shine bright and the patient’s belly has been shaved and is ready to be operated on. The surgeon hesitates; the knife hovers above the skin. The moment brings back key scenes from her childhood that tell everything about her choice of profession and her hesitation to cut the patient’s skin.
Every morning six people who live in the same street are taking the bus into town. Thanks to their own routine they survive each day, until one of them meets death.
Koen is a fatherless, eighteen year old boy who wants to free himself from the suffocating relationship with his mother. He struggels with the balance between independency and love. When he meets Colet, he tries to keep his distance, but she is both anarchistic and audacious. She does not understand the fact that Koen does not have the slightest curiosity about his unknown father. It is because of her that he begins the search for his father.
Incredible optical illusions in a story in a story in a story helps the surprised viewer finally to find out that he has been watching himself all along.
Paul has a full-time lover, an older English woman whose common sense and down-to-earth qualities more than compensate for her relative lack of passion. After all, he is surrounded by women clamoring for time with him in bed. So are all the other men in the story. When one of his sons dies suddenly during an operation, Paul is devastated and cannot make out what has gone wrong in his life. None of his current crop of friends has any insight to offer. Some of these questions become clearer when his sister, with whom he is almost unnaturally close, comes to visit.
