Dietmar Mues
Die Literaturagentin Lara Brunn fährt nach längerer Zeit wieder in ihren Heimatort in den Bayerischen Alpen. Anlass ist der Geburtstag ihrer Mutter. Lara wartet gemeinsam mit ihrer Schwester Sylvia im Elternhaus, doch die Mutter taucht nicht auf. Am nächsten Tag findet ein Suchtrupp in den Bergen eine männliche Leiche, die schon seit mehreren Jahren dort liegt. Kurz darauf wird in der Nähe auch die Mutter tot aufgefunden. Während Sylvia an einen Unfalltod glaubt, vermutet Lara einen Mord. Sie stößt auf einige Ungereimtheiten und muss schnell feststellen, dass sie nur sehr wenig über das Leben ihrer Mutter weiß. Auch die eigene Vergangenheit wird immer ungewisser.
Romantic comedy about an elderly intellectual and a young casual worker
In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.
"Tod eines Schülers" is a German television series directed by Claus Peter Witt, based on a script by Robert Stromberger. The six part TV mini series is about the fictional suicide by train of student Claus Wagner. Each episode begins with Wagner's death, looking into the subject from different points of view.
After reading the diary of an elderly Jewish man who committed suicide, freelance journalist Peter Miller begins to investigate the alleged sighting of a former SS-Captain who commanded a concentration camp during World War II. Miller eventually finds himself involved with the powerful organisation of former SS members—called ODESSA—as well as with the Israeli secret service. Miller probes deeper and eventually discovers a link between the SS-Captain, ODESSA and his own family.
