Javier Pereira
In 1543, at the University of Salamanca, in Spain, Fray Antonio Román, an Augustinian monk who spreads humanist ideas, considered heretical, among his more inquisitive students, a clandestine group of four led by the brilliant novice Luis de León, mysteriously dies in unspeakable circumstances. In the present day, the historian Lara Cabanes is hired to find out if the monk was murdered, as is suspected and she is told, but the task will not be easy to achieve.
Madrid, summer 2011. Economic crisis. 15-M movement and 1.5 million pilgrims waiting for the Pope’s arrival live side by side in a Madrid that’s hotter and more chaotic than ever. In this context, detectives Velarde and Alfaro must find what seems to be a serial killer. Their against-the-clock hunt will make them realise something they’d never imagined: neither of them are so very different from the killer.
A talented, 25 years old young musician, is tempted by an entertainment businessman to sign a promising contract, which have an unavoidable clause.
Ricardo, an amusing grumpy middle-aged man, decides to travel overland to India, as he used to do, shipping hippies in the sixties. Only now he has other things on his mind. He has been in a wheelchair for 10 years, suffering from a degenerative disease, that's pushing into its final stages. This is to be his last journey. Accompanied by his housekeeper Dana he sets off, crossing Europe, through Turkey, Iran, Pakistan. It turns out to be a funny and inspiring journey, opening doors both Ricardo and Dana thought were closed forever. As the landscape widens ahead, all of the crucial things of life unfold before them. Most importantly, Ricardo finds a reason to live.
The story of the encounter between a boy and a girl. He confesses that he fell in love with her at first sight, but she does not believe him. However, as they walk through the night in Madrid, they share their desires, secrets, and maybe a few little lies. But soon the film brings us back to the harsh reality of power struggles, psychological games and conflicts between the sexes. Stockholm thus offers an incredible reading of the relations between young people today.
One night Malena and Pablo, a sister and brother traveling together in Argentina, discover a diary that details crimes committed twenty years ago.
A Sunday, three young friends read the obituary of a schoolmate with whom long ago they lost contact. They go to the morgue and realize that they are wrong: that burial is not that of their fellow student. From this, the confusion and random weave a story of friendship, love and death.
In the 1980's, Pilar, an ordinary woman, married, about forty years, discovers that one of their three children are addicted to heroin. After an initial period of uncertainty, Pilar contact with other parents in similar situations who come to a precarious Civic Center helps the addict, but soon realizes that many things have to change in and out of home so your child can be saved. Thus was born the desire to do more than complain and starts along with other parents, but especially mothers, an arduous journey of withdrawal of drug trafficking in Galicia.
Rich kid Adrian is released form the psychiatric institution where he has lived since he was a child and goes to live in the house he's been given by his father, who he's not seen for years. On the other opposite end of the city, sleepy-eyed Gonzalo, the son of aging hooker Raquel, finds himself desperately short on cash. Attempting to burgle Adrian's house, Gonzalo is caught red-handed by Adrian who promises not to tell the cops if Gonzalo will acquire a pistol for him. Their meeting is the start of something that neither of them could have ever imagined.
When his wife cheats on him, his car is stolen, and his company is accused of embezzlement, Rodrigo (Carlos Sobera) decides to stage his death, come back as his long-lost twin brother, Ricardo, and start fresh with his family. But much to his chagrin, he learns that his wife doesn't miss him, his kids speak poorly of him, and his boss may have framed him. Elisa Matilla, Cora Tiedra and Javier Pereira co-star in this comedy.
Amandine is a kind, extroverted Postdoc student who is living temporarily at a student residence. Oscar is the doctor who works at the infirmary, as well as her friend. As the rest of the students leave the residence for the holidays, Amandine is forced to stay on a few more days to finish her Postdoc. Her relationship with Oscar intensifies. When the day arrives for Amandine to leave, Oscar finds an unusual way for Amandine to stay with him, perhaps forever.
