Juan José Otegui

After the Spanish Civil War breaks out, the Prado Museum is being evacuated. One of the guards finds a painting by the master, Goya, and takes it to prevent damage to the work of art. In the interim, he meets a young lady with whom he falls in love. Assisted by her and her family members, the soldier attempts to save Goya's masterpiece intact amidst the war and violence.

After the death of the abbot of a small convent the two monks who are left discover among the papers of the passed away abbot letters from the mother of one of them indicating that he is the natural son of a landowner in Extremadura. In order to claim the legacy of his friend the monk who has lived outside the convent for some time plans their voyage to the property of his father picking up on their way his daughter and lover. Once in Extremadura things look a little different to what the plans say.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

Fifteen years after the plot a lawyer and a military ex-attorney meet and recall the intense days of 1975 when both participated in the decission of war or peace. The film is told in flashbacks of the two protagonists.

The Eternal Spain, birthplace of the Cid, Hammer of Heretics... and other deserved historical appellations, is suddenly transformed, through democratic elections, in a chaotic Tower of Babel where every province, every town, each village wants to have its own opinion. Comedy about the rise of nacionalism in the different Spanish regions with the arrival of democracy.

The plot follows a private detective, an ex communist and former CIA agent, who travels from Barcelona to Madrid to discover the identity of the assassin of the leader of the Spanish Communist party who was stabbed during a blackout while presiding over a meeting of the party's central committee. The film is a thriller with ironic political overtones.

A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.

Sexy comedy.

Don Juan Alcántara, who from a village apothecary became a financier, is ruined. He does not dare to confess it to the family, since the unanimous opinion of those who know him is that he is a squawk. His lack of character is remedied by his doctor, who provides the recipe for everyone to obey: pretend that he suffers a crisis of madness and that if he takes the opposite may lead to homicide.

Antoñito is a bachelor who works in a cabaret as a clarinetist. He has put an advertisement in the newspaper, looking for a good and honest girl, and to which responds Rocío, who escapes from her native Córdoba to hide the embarrassment of her pregnancy. The coexistence with the naive clarinetist, who refuses the insinuations of a co-worker dedicated to prostitution, who idolizes his deceased mother and keeps as a relic the orthopedic leg of his late father, is not easy. The other men will tend their ties around Rocío, that makes way in the world of the spectacle pretending to be blind. When she can no longer conceal that she is pregnant, Antoñito decides to give his name to the fruit of sin.