Love Ravings
Félix Rotaeta
Félix Rotaeta
Antonio González-Vigil
Antonio González-Vigil
Cristina Andreu
Luis Eduardo Aute
Luis Eduardo Aute
Jaime Botella
Domingo Sánchez
Casts & Crew
Adolfo Marsillach
Amparo Muñoz
Pepe Navarro
Paula Molina
Terele Pávez
Gonzalo García Pelayo
Jaume Sisa
Estela Alcaraz
José Lifante
Álvaro Labra
Isabel Escudero
Lourdes Ferriol
Alejandra Grepi
Juan Calot
Yolanda Ríos
Félix Rotaeta
Manuel de Benito
Antonio Banderas
Mario Gas
Laura García Lorca
Verónica Luján
Elena Figueras
Cesáreo Estébanez
Emilio Gutiérrez Caba
Laura Bayonas
Carmen Maura
Marisa Paredes
Walter Vidarte
Also Directed by Félix Rotaeta
Zabu was a dancer in a small cabaret in Bilbao. Twelve years later she is living with her daughter Lola and a small delinquent called Lino in a squalid suburb of an industrial city. She dreams of leaving for Australia.
Two assassins: Luis, young and impulsive and André, married teacher. Fate lets them cross their lines, evident in the same victim. From the beginning they like each other; and both become addicted to killing synchronously.
Also Directed by Antonio González-Vigil
Also Directed by Cristina Andreu
Adriana and her mother left Brumal, a strange and remote village, and moved to the city while still a child. Once Adriana's mother dies, she's marked by memories and intense nostalgia for her hometown, and returns to Brumal.
Also Directed by Luis Eduardo Aute
Manila, 1945: a boy looks at the sea from the boardwalk, turning his back on a destroyed city. From a photograph of his childhood, Luis Eduardo Aute glances back to discover what remains in him of those eyes of a child with which he looked at the sea. With the battle of Manila as the setting, a bloody contest that claimed the lives of more than a hundred thousand people, the author remembers the boy who was and how, from that tragic experience, the figure of the basilisk began to stalk him, a being mythological in the form of a winged serpent capable of killing with its eyes, representing the adult world, degradation and death.
Accomplished singer/songwriter and artist turned filmmaker Luis Eduardo Aute combined more than 4,000 of his own drawings with state-of-the-art digital animation techniques for his unique animated movie, A Dog Called Pain. Aute explores the relationships between several eccentric artists and their models in seven black-and-white animated portraits. Aute focuses predominantly, though not exclusively, on great Spanish artists, as he examines the work of Francisco de Goya, Diego Velazquez, Marcel Duchamp, Pablo Picasso, Groucho Marx, and even Woody Allen make brief "cameo" appearances. The film was named for Frieda Kahlo's own pooch, and dogs figure prominently in the episodes. Through his silent (other than the musical score), somewhat static imagery, Aute focuses not on straightforward storytelling, but on capturing some inner truth about the artists, their relationships with their models, and their historical and cultural environments.