Liv Ullmann
During World War II, 12 000 children were born to Norwegian mothers and German soldiers. In WARS DON’T END five of these children tell their stories about lives of discrimination and abuse stemming from the choices of their mothers and the actions of their fathers.
In 1965 Ingmar Bergman filmed “Persona”, the cult film that brought together all of the Swedish filmmaker’s obsessions and became a turning point in his career.
A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.
A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.
Harry Schein was an anomaly in Swedish cultural society. Equal parts playboy, intellectual, and political visionary, his life story could very well be the foundation of a Hollywood film. Citizen Schein is a film about a refugee who refused to look back, a film about powerful men, and the myths that fuel them.
A personal portrait of mythical and controversial actress Ingrid Bergman based on her many home movies and diaries.
Over the course of a midsummer night in Fermanagh in 1890, an unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.
The 42 year long relationship between legendary actress Liv Ullmann and master filmmaker Ingmar Bergman.
Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, but now living in Norway for the last 20 years, is a “war child”; the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. She enjoys a happy family life with her mother, her husband, daughter and granddaughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealments and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?
This is a cinematic pilgrimage by two young Turkish directors to their biggest source of inspiration, Ingmar Bergman. Their desire to approach even further to Bergman and to his work leads them to make this journey from their hometown Istanbul to Sweden, the land of Bergman. Their journey passes through not only to Stockholm, Uppsala, Dalarna, Gotland and of course Faro, but will also be an inner journey to their own selves.
The evolution of the depiction of Native Americans in film, from the silent era until today, featuring clips from hundreds of movies and candid interviews with famous directors, writers and actors, Native and non-Native: how their image on the screen transforms the way to understand their history and culture.
Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.
A film about secrets that shouldn't be secret. When the mommy-fish dies, Boj has had enough, and gets power from his own fantasy to go further.
A moving, magic and playful story about a young girl who, at the end of her life, learns to accept death and understands how wonderful life really is. The script is based on the novel by Jostein Gaarder.
The history of Norwegian seamen goes from the Viking Age, and over to the present time when young people want to go to the sea.
We follow Henrik Ibsen throughout his life. From early shame over his father's bankruptcy, via bitterness over the then conservative public life, to his older years as a national institution that tourists gathered to watch on their way to their very punctual, daily lunch at the Grand Café in Oslo.
A woman ponders over the strange coincidences that made her forefathers and -mothers meet and create the premises for her becoming the person that she is.
Documentary about the making of Swedish film director Jan Troell's "The New Land" (1971) and "The Emigrants" (1972).
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
A documentary about the making of Ingmar Bergman's 1977 film THE SERPENT'S EGG.
The movie is a sequel to Bergman's Scenes from a Marriage (1973), where we revisit the characters of Johan and Marianne, then a married couple. After their divorce, Johan and Marianne haven't seen each other for 32 years. Marianne is still working, as a divorce lawyer. Johan is quite well off and has retired to a house in the Orsa finnmark district of Sweden. On a whim, Marianne decides to visit him. Johan's son from a previous marriage, Henrik, lives nearby in a cottage with his daughter Karin, a gifted cello player. The relationship between father and son is strained. Plot by Mattias Thuresson.
A Woman of Paris (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.
Scripted by Ingmar Bergman, this very personal film is about a destructive affair which wrecks the marriage of an actress (Marianne) and musician (Markus). Wanting to continue the affair, Marianne moves in with her lover. But she is tormented by Markus' decision not to let her have custody of their daughter. Finally Markus announces he may have a solution to the stalemate, but this leads to deception, lies and ultimately, tragedy.
Carl-Gustaf Nykvist's documentary about his father, Sven Nykvist. The film is based on Sven's memoirs with Sven himself as narrator. A journey to the place of birth, Moheda, constitutes the hub of the film and during the journey friends and memories emerge. Written by Fredrik Klasson
Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, her uncle Jacob (Max von Sydow). He presses her to confess her sins to her husband, Henrik. As the film moves back and forth in time, the notion of truth is tested. Tomas, the lover, and Henrik will find that Anna's confessions do not absolve anyone, and have the power to inflict more pain.
Kristin Lavransdatter is a 1995 Norwegian film directed by Liv Ullman, featuring Elisabeth Matheson, Bjørn Skagestad, Jørgen Langhelle, Lena Endre and Sverre Anker Ousdal, based on Kristin Lavransdatter by Sigrid Undset. It was the Norwegian entry to the Academy Award for Best Foreign Language Film in 1996.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic.
A tribute to Swedish film, which was made to celebrate the 100th anniversary of film in 1995 and consists of about a hundred clips from Swedish film history with many of its stars.
Swedish painter Anders Zorn gained notoriety for his nudes. His works are currently worth millions. The film is set in the time when Zorn, already respected for his art, was commissioned to paint a portrait of the Swedish king. Though an excellent painter, Zorn's personal life is dreadful. A boozer and a womanizer who frequently cheats on his wife, Zorn constantly seeks approval for his art. When he travels to the U.S. for a tour he meets Emilie Bartlett the wife of sculptor Paul W. Bartlett with whom he begins a sporadic affair. After Paul commits suicide, Zorn and Emilie move to Sweden. Zorn disregards his wife's feelings and openly displays his affections for Emilie.
Documentary about the Woman in Ingmar Bergman's Movies
Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.
In desperation brought on by near-starvation, Helge Roos kills his master's ox and feeds it to his wife and baby daughter. No-one suspects anything until the meat is finished and Helge tries to sell the hide at a local market. He is spotted by the local vicar and, wracked with guilt, confesses. The vicar assures him that if he gives himself up, he'll be treated leniently, but Helge's sentence is far harsher than anyone predicted...
A US politician visits his poet friend in Mont. St. Michael, France. While walking through the medieval island discussing their philosophies of life they happen upon Sonja, a scientist in recluse, who joins in their conversation. The two men listen to the ideas of this brilliant woman and discuss how her ideas can work in their own politician and poet lives.
Since childhood, Raquel and Maria have been close friends. Now all grown-up, Raquel has fulfilled her dream of becoming an actress, while Maria has married a handyman, given birth to three children and runs the family household. In the wake of the Argentine military coup of 1976, Maria's oldest son Carlos is abducted. Desperate, Maria turns to her prominent friend for help. Yet the more Raquel gets involved in the search for Carlos, the more she becomes herself a target of the junta. Finally, she flees from Argentina to Berlin. Meanwhile Maria joins a group of women who investigate the fate of their disappeared relatives. In 1983, after the fall of the dictatorship, the two friends meet again.
In Germany, an old man attacks another old man and is arrested. The attacker refuses to speak. A female lawyer is appointed to him. She discovers that the attacker has numbers tattooed on his arm and the attacked man was a German officer.
The life of Gaby Brimmer, a girl physically handicapped, who finally gets her goals of study and triumph.
Let's Hope It's a Girl is a multifaceted exploration of the pointlessness of sexual stereotypes. Liv Ullmann is a countess who, after her divorce, takes over the family farm. Realizing that she can't rely on the patriarchal society structure for assistance, Ullmann runs the farm herself with the help of her female servants and relatives. When the Count (Philipe Noiret) comes back into her life, he and his male buddies find themselves outclassed by the expertise of the ladies.
World Chess Champion Akiva Liebskind (Michel Piccoli) faces his former pupil Pavius Fromm (Alexandre Arbatt), who defected to the West from the Soviet Union five years earlier, for the World Chess Championship in Geneva, Switzerland. The tension and strategies between the players draw parallels to the political conflicts and ideologies between East and West during the Cold War.
A Roman Catholic teenage boy in Glace Bay, Cape Breton Island, Nova Scotia during the 1930s faces various growing-up problems: Should be become a priest? What should he do about the murder he witnessed, committed by a local cop and upstanding parishioner? And how far should he go with his girl friend, who happens to be the murderer's daughter?
Following her husband s death, a wife discovers and confronts her husband's lover. Their mutual pain, love, envy and jealousy bring them together in an unexpected emotional and physical relationship.
After “five years of happiness,” a love affair is ending. The woman uses the telephone as the last remaining connection with the man, who is now planning to marry someone else.
After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.
On-set documentary of the making of Ingmar Bergman's 1977 film Autumn Sonata starring Ingrid Bergman and Liv Ullman, examining every aspect of the production. Unusual for this kind of documentary, there is no post-production commentary or interviews.
The Serpent's Egg follows a week in the life of Abel Rosenberg, an out-of-work American circus acrobat living in poverty-stricken Berlin following Germany's defeat in World War I.
Operation Market Garden, September 1944. The Allies attempt to capture several strategically important bridges in the Netherlands in the hope of breaking the German lines.
A married couple of psychiatrists has their relationship tested when one suffers a mental breakdown.
The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.
Richard is a medieval nobleman. After his first wife dies in an accident and is buried in the family vault, he remarries and has children by his second wife. A mad longing for his first wife Leonor comes over him, and he sells his soul to the devil for a chance to get her back. But when she returns, she is a murderous vampire.
Queen Christina of Sweden (1626-1689) abdicates and travels to Rome to embrace the Catholic church.
Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he's having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.
Zandy Allan purchases a mail-order bride, Hannah Lund. He treats her as a possession, without respect or humanity, until their shared ordeal as they struggle to survive develops in him a growing love.
Sven Nykvist, best known as Ingmar Bergman cinematographer, made this film as a tribute to his father who was a missionary in Kongo in the early 20th century. The story of his father Gustav Natanael Nykvist is told through his own photos, letters, and films. Director & cinematographer: Sven Nykvist. Narrators: Liv Ullmann & Sean Connery Produced by Ingmar Bergman (Cinematograph AB). Digitally restored in 2022.
After an overnight fling with a man nearly 20 years her junior while vacationing in Greece, Ann Stanley returns to New York assuming she'll never see Peter Latham again. Until, that is, he shows up on her doorstep to take her daughter to a party. Despite her yearning for Peter and the encouragement of her friends and family, Ann initially rebuffs him when he pursues her, but slowly she yields to his charm and her own stifled emotions.
Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he's having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.
This retelling of the classic tale of James Hilton's Utopian lost world plays out uneasily amid musical production numbers and Bacharach pop music. While escaping war-torn China, a group of Europeans crash in the Himalayas, where they are rescued and taken to the mysterious Valley of the Blue Moon, Shangri-La. Hidden from the rest of the world, Shangri-La is a haven of peace and tranquility for world-weary diplomat Richard Conway. His ambitious brother, George, sees it as a prison from which he must escape, even if it means risking his life and bringing destruction to the ancient culture of Shangri-La.
As Agnes slowly dies of cancer, her sisters are so deeply immersed in their own psychic pains that they can't offer her the support she needs. Maria is wracked with guilt at her husband's attempted suicide, caused by his discovery of her extramarital affair. The self-loathing, suicidal Karin seems to regard her sister with revulsion. Only Anna, the deeply religious maid who lost her young child, seems able to offer Agnes solace and empathy.
A Swedish immigrant family struggles to adapt to their new life on the American frontier during the second half of the 19th century amidst civil war, native uprising and the lure of gold in California.
A Swedish peasant family, ravaged by poverty, privation and misery in mid-19th century Sweden, set out on a perilous journey to America in hope of a better life.
An insane Swedish farmer escapes from an asylum to get revenge on his sister, her husband and others.
During the Korean War, Joe Moran, is convicted for striking a colonel. Imprisoned in Germany he encounters his former company commander Captain Ross, jailed for black marketeering. Together with Ross' cohorts Joe agrees to escape with them, but things go wrong and a policeman is killed. An appalled Joe escapes by himself, abandoning the others, who are recaptured. Years later Joe has a boat rental business where he is found by Ross. Now a wanted drug smuggler he wants the use of Joe's boats and to ensure his cooperation, they kidnap his wife and daughter.
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty.
An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories.
Produced in 1968 for New York's WNET public television station and filmed by Gunnar Fischer, host Lewis Freedman visits director Ingmar Bergman during the production of SHAME. They discuss some of Bergman's major works leading up to SHAME as well as the just-released HOUR OF THE WOLF.
A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. The time they spend together only strengthens the crushing realization that one does not exist.
About a fisherman who has to face judgement on his life after an accident.
Lieutenant Glahn arrives in a small village in northern Norway. He wants to live in peace in the company of his dog. The young Edvarda stirs emotions in the lieutenant.
Tonny is a schoolboy in fostercare who serves his first sentence in a jail for adults. We follow him 24 hours before his parole and 48 hours after his release. We get to see his experiences in prison and his relationship with his mother, friends and girlfriend Kari. Just like Bjørneboe's novel, the movie is a critical note to the debate how society took care of youth on the edge during the 50s and 60s.
Gerd falls in love with a young boy. She is considered a 'loose' woman, and the boy's family does not accept their relationship. The couple runs away to a cabin in the woods where they meet a rogue man who tests their relationship.
A woman with a severe illness rejects a possible cure and decides to go to Norway to spent there her last days.
Following Kristallnacht in 1938, Ulrich Ollendorff’s family flees Berlin as to avoid the horrific destiny shared by six and a half million Jews who were killed in the Holocaust. Within only a few years, he becomes one of the most well respected and famous ophthalmologists in New York City.
True story (based on the book by Eleanor Coerr) about a Japanese girl named Sadako Sasaki, who was two years old when the atom bomb fell on her city of Hiroshima. Like so many other survivors of that horrific day, she subsequently developed leukemia. To keep herself occupied during her illness, she begins the monumental task of folding a thousand origami cranes--in the hopes that it will save her life.
