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Ingrid Bergman: In Her Own Words
A personal portrait of mythical and controversial actress Ingrid Bergman based on her many home movies and diaries.
Stig Björkman
Casts & Crew
Alicia Vikander
Isabella Rossellini
Roberto Rossellini
Isotta Rossellini
Fiorella Mariani
Jeanine Basinger
Liv Ullmann
Sigourney Weaver
Ingrid Bergman
Pia Lindström
Also Directed by Stig Björkman
Torun and Mikael have been married for a few years. When vacationing on the Danish coast, their young son Melker accidentally drowns. Torun initially blames her sister, who was supposed to supervise her children. Later she turns her anger and grief against her husband. Since none of them know what to do with their feelings, they start to drift apart.
A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson
Helena and Sten are a couple but the relationship is falling apart.
Literature graduate Orlando begins a love affair with the Foreign Ministry official Anders. She follows him to Argentina. There she learns that he is already married.
A Swedish writer is visiting Morocco. At his hotel, he stays next door to an Italian couple. He becomes obsessed with the woman, spying and following her. One night she knocks on his door.
The Scandinavian entry in the BFI's Century of Cinema series of documentaries
On-set documentary on the making of Ingmar Bergman's The Touch.
A day in the life of Monika, an ordinary, modern (ca.1975) Swedish woman. Her surroundings are a lot sleeker than her daily existence, though; she's unemployed, her husband is gone, and she's alone in the midst of what ought to be the good life.
The great Diana Sands stars as a African American pop star with few political ideas, and no need for black-activist war deserters who want her voice for their cause--much to the dismay of the quietly seething white-hating Minnie Gentry. Georgia's mother-figure and companion fears for Georgia's soul--in every sense of the word. Written by Maya Angelou (but made on a low budget), this is a significant, powerfully radical movie-of-ideas in need of rediscovery. (IMDb)