Lore Dijkman
Lockdown is a comic thriller about living in quarantine. The Netherlands is hit hard by the corona crisis. This goes for Theater Group Maastricht as well. If all theaters close their doors on government orders, bankruptcy is imminent. Artistic leader Michel is very concerned. He worries about the future of his company, but also about his own health. He has asthma and belongs to the so-called risk groups. Nor does his hypochondria help. Fortunately, good friend and companion Servé comes up with a solution. What if they play the Oresteia, the play with which they would premiere soon, via the internet? Just from their living rooms? In this way they can still attract a bit of public interest and possibly close the highest financial need pending help from the government.
Every morning six people who live in the same street are taking the bus into town. Thanks to their own routine they survive each day, until one of them meets death.
On 2 December 1975, a journalist is one of many passengers on the slow train that is kidnapped near Wijster by young South Moluccans. After some terrifying moments, he makes contact with the hijackers and starts acting as their go-between. Meanwhile, his wife and daughter, as well as his mistress keep themselves abreast of things through the media. The train hijacking lasts for twelve days and claims a few lives.
Just your ordinary video store around the corner: A woman enters, grabs a videotape and goes to the counter. She pulls a gun and asks for money. "Quick, quick, quick!" The cashier looks anxious and hands over the money. But just when she turns around to walk away, the cashier pulls a shotgun and fires. Is it for real? Apparently not, because someone shouts: Stop! and we suddenly find ourselves on a film set. The director seems to disagree however with the decision to stop shooting. She reflects on the situation. Then, just few moments later, the director is lying in bed. Was the film set real? Was it fiction?
