Mark Waschke
The story of a married but separated couple Matthias and Anna, although the wounds are still open, together planning the birthday-party of their son Lukas. When, at the end of the party, little guest Julius isn't picked up by his parents, a rapid chain of events take place.
As a divorced father of two teenage daughters, with a head-strong ex-wife for a best friend, too many peculiar patients to keep up with and a new dog, psychotherapist Max certainly doesn't need another challenge. But when Sophie, a compulsive gambler with a boyfriend problem, regularly shows up late for her appointments, she rocks his world in ways he's not ready for.
LEMON TREE meets JOHN LE CARRÉ in a subtle thriller set in Germany involving Mona, a Lebanese woman (Golshifteh Farahani), and Naomi, an Israeli Mossad agent (Neta Riskin) sent to protect their informant while recovering from plastic surgery for her new identity. Mona and Naomi - together for two weeks in a quiet apartment in Hamburg. A safe house. A shelter. No one saw what was coming, no one knew that this supposedly quiet fortnight would turn into an abyss and that shelter would need to be found elsewhere. The intimacy of the relationship that develops between the two women is exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned and choices are made that are not their own. And yet their fate takes a surprising turn in this suspense-laden, elegant neo-noir.
Anja Altmann disappears after a birthday party. When the police ask husband Thomas about her , family attorney and friend Lavinia Bertok manage to dispel any suspicions about him. But soon Thomas is arrested. While the Altmann family start hurling accusations and recriminations at each other, Anja allegedly surfaces in Spain, raising a strange suspicion against Lavinia.
It is a story about the Soviet worker Pyotr and the German engineer Hans, who came to the USSR before the war on a business trip. At a Soviet plant the German team works in cooperation with Russian specialists. Once Hans makes a mistake which causes the explosion of the furnace and human losses. Hans finds himself at the mercy of Pyotr, the only witness to his actions near the furnace. Pyotr also depends on Hans, because Pyotr’s very presence near the furnace entails accusation of subversive actions and a death sentence. Mutual suspicion gives way to silent sympathy and later friendship. They even look like each other, both have small children. Pyotr secretly leaves the town with his family but Hans feels loss rather that relief at the disappearance of the embarrassing witness.
36-year-old Birgit desires nothing more than an intact family. Since she lives with her husband Andreas, the common child Philip and Sarah, her daughter from a previous, failed relationship in solid economic conditions in a terraced house, she feels very close to her ideal. Through Sarah's puberty, the family is put to the test. But Birgit believes that luckily only the formal confirmation of the adoption of Sarah by Andreas is missing.
A dark psychological thriller, A Pact tells the twisted story of a contentious love triangle. As teenagers, Paul tricked Georg into handing over his girlfriend Anna to him. Georg agrees, on the condition that he can have her back whenever he wishes. After decades of silence, when Anna and Paul have a family together, Georg suddenly re-appears. Strange things start happening to Paul, and it soon becomes clear that Georg has not forgotten the pact.
Berlin, summer of 1941, during the World War II. Five young Germans promise to meet again as soon the war ends… in Christmas: brothers Wilhelm and Friedhelm will go to the Russian front. Charlotte will serve as a nurse in a campaign hospital. Greta dreams of becoming a singer. Viktor, her Jewish boyfriend, works as a tailor with her father. But soon their naive wishes of peace and happiness will become a long and tragic nightmare.
Sebastian (Mark Waschke) is a physics professor at the University of Jena and dealing for years with parallel universes. Meticulously, he tries to prove its existence scientifically. His college friend Oskar (Stipe Erceg), professor of theoretical physics at CERN in Geneva, smiles at Sebastian's firm belief in parallel universes and the many-worlds theory. In order to devote himself to the evidence in peace, Sebastian brings his son Nick to a summer camp, while his wife Maike (Bernadette Heerwagen) is on vacation in the mountains. At a rest stop Nick disappears out of the car and so for Sebastian a nightmare begins. Increasingly he is loosing more and more control. What really happened? It is fatal to his own theory? And who is this mysterious Schilf, which occurs abruptly in Sebastian's life?
In the castle park of Ludwigslust lies a dead woman. Investigators encounter a wall of silence. Everyone knew the dead "Lulu", many have a motive, everyone is afraid. But from what? Sophia Eichstätt, analyst at the LKA Kiel, investigates in the case, which assumes ever larger dimensions. Who is the perpetrator, who is the victim? Sophia gets caught between the fronts and has to decide which side she's on. It is dangerous on both sides.
Shortly before her 40th birthday, the successful surgeon Anne May is plagued by self-doubt: Actually, she would have to be satisfied, since she has long been married to her childhood sweetheart Peter and has built up a working family life with him. Nevertheless, Anne is deeply unhappy. When her husband is on a business trip, she meets Carolin Winter, the mother of a school friend of her son. Quickly, the two women make friends, Anne gets carried away by the joie de vivre of the native Chilean.
Based on the best-selling psychology book by Paul Watzlawick, the film tells the story of Tiffany Blechschmid, a neurotic, moony, superstitious, contradictory and, no surprises here, single young woman in her late-twenties.
A young couple moves to a gated community (named Sechzehneichen), where soon the creative wife (a photographer) gets bored and the husband joins a secret mens' club. All the other wives seem strangely conservative and shallow. Basically a thinly veiled take on the Stepford Wives, just without any bit of humor or atmosphere, but instead filled with the sterile, unflinching and dry seriousness that makes watching a lot of our German films such a drag and a miserable experience.
It is the summer of 1980 in East Germany and, alone, Barbara is confined to living and working as a doctor in a small provincial town - her punishment for attempting to emigrate to the West. She has only one focus; to escape and for this, she has to wait patiently. Until Andre, her supervisor in the hospital, takes her off course. Are his motives of love or duty to the authorities? The day-to-day pretense, and content supervision slowly take their toll as the tension builds.
Some call it a men's holiday, the other flee from themselves: Thomas, Jens and Malte have rented a holiday home on a secluded Swedish lake - the complete contrast to life at home. They are only partially satisfied with that for different reasons. One is around 40, the first interim balance revealed weak points. But even in the Swedish forest, where there are at least one moose in addition to the free-running men, the guys catch up on the reality quickly. Because the wasteland is not as gullible as hoped ...
Juliane's happiness seems perfect. She is head over heals in love and has just begun a new life with August. One morning, however, she wakes up to find that she has been unexplainable thrown back into her past - to the time before she met her new love. Is what seems at first glance a cruel setback in reality actually a second chance?
Judith decides to go on her own to the salsa-dancing night, even though her boyfriend, with whom she goes there every week, can’t accompany her. A stranger, with whom she briefly dances, offers to walk her home. Next morning, upon returning home, Judith refuses at first to accept that she’s a rape victim, but in the end decides to go to a doctor and press charges - which prove inadequate to have the rapist convicted. Under the influence of sweeping bodily and mainly psychological oscillations, Judith decides she has to follow an unorthodox path in order to prove the perpetrator’s guilt.
A man and a woman at an art exhibition share a fleeting moment of attraction, which neither can act upon. Days later, a chance second meeting leads to an innocent coffee and the two strangers – both married - toy with their unexplainable fascination for each other. Svenja is curious and finds herself in a hotel room with Roland, but she does not consummate an affair. A powerful executive at the large bank where Svenja's husband works, Roland is used to getting what he wants. He manipulates the transfer of her husband to Indonesia to replace a recently murdered bank manager. Unaware of Roland’s actions, Svenja now ceases to resist...
The film starts with the main character Laura, a young woman with advanced cancer, entering quite upset the home of her parents and claiming to have stopped chemo therapy and having left her husband. The worried parents call the other three adult daughters into the house and they arrive one by one. For the first time in 6 years the entire family is united again. The characters are drawn as tensions rise from old conflicts and as the situation sinks in that Laura might be terminally ill. The movie eventually shifts from a lively sometimes comical beginning into the serious theme of dying and does handle this quite tactfully and moving. While the film touches on many areas surrounding death (including religion, graveyard, care, eutanasia) the main focus is on the transformation of the characters that are thrown out of their busy lifes into this situation, eventually accepting it and dealing with it.
Mid-19th-century, Baltic Sea port city of Lubeck, Germany. Follows the fourth generation of the Buddenbrook mercantile family as Tony and Thomas reach the age of marriage. Fatefully impeded every step of the way, the Buddenbrooks struggle as economic hardship and personal defeats weigh down family relations.
A family spends three summer days in a beautiful lake mansion close to Berlin. Together with her new lover, Irene visits her brother Alex, who still inhabits the house with Irene's writer son Konstantin. Konstantin's girl-friend pops in, too, and all of them drift away from each other more and more. Based on Chekhov’s The Seagull
