Maud Wyler
Joseph learns that his son and his companion have just perished in an accident. They were expecting a child via a surrogate mother in Belgium. What will become of their future baby? Is Joseph the legitimate grandfather? Carried by the promise of this birth which will prolong the existence of his son, the sexagenarian goes to meet the young Flemish woman with a fierce and indomitable character.
Who has never heard of pregnancy denial? This condition, often caused by miscellaneous circumstances, escapes our understanding and even science. How can the mind of a pregnant woman hide a child growing in her body?
The mayor of Lyon, Paul Théraneau, is in a delicate position. After 30 years in politics, he is running out of ideas, feeling like an existential emptiness. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann. Then follows a dialogue between two diametrically opposed personalities who will turn their certainties upside down.
“La nuit d'avant is the work of a true cultivator of tradition. A seventeen-minute masterpiece that has precisely to do with the act of transmission. I have found a very powerful similarity between the film that is at the origin of this short - The Clock, by Vincente Minnelli- and Rossellini's Viaggio in Italia. We could continue elaborating and extract a thread from this. I find it very exciting to be able to start pulling this thread with a film that has been made this year (2019), instead of starting with its birth." - Paulino Viota
Pierre Perdrix has been enjoying an enchanted though restless existence since the enigmatic Juliette Webb burst into his life. a stranger who landed in his family's unique world like a meteorite, and who by her presence alone will force this tight-knit microcosm to redefie their boundaries and finally begin to fully live their lives.
Simon is an experienced doctor who rubs shoulders with death on a daily basis as part of his job in an intensive care unit. Like any good professional, he has learnt to shield himself from it. But when his mother is hospitalised in a nearby unit, and is in a critical condition, his private life and professional life clash spectacularly. Simon’s whole world, and all his certainties and beliefs, are shaken to the core – even to the extent of re-evaluating his career...
An aging movie actor who is preparing to shoot a death scene finds himself visited by the spirit of a dead, long-ago lover.
Two soldiers, Daniel and Jerome, flee a war we don’t see and we know nothing about. Jerome is badly injured, he will die, he says it, he knows it, he is afraid. Then Jerome confesses to Daniel his last will: he does not want to die a virgin, he wants to die loved…
One of the misfortunes of Boris Vian - and a misfortune for those who love him - is to be born and especially to be dead a bit too soon to have known the new wave. We saw him actor in "A pocket love" and "The Bel Age", Pierre Kast, in "Dangerous Liaisons 1960", Roger Vadim, where he held the role of Prévan, which was like a glove . His friend Prévert had designed him the cardinal's role in "Notre-Dame de Paris" by Delannoy. But never did Boris dare to put on the stage what he had written for the screen: he believed the thing impossible. An episode from the tv-mini-series "Collection rue des ravissantes: Boris Vian fait son cinéma."
Marco, in his thirties, is a little lost and tormented at the thought of truly settling. A former war photographer, he no longer wants to cover conflict and is more interested in the world of longshiremen.
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.
At 33, Arman has decided to change his life. He starts by running. It’s a good start. Amélie carries on with her life. She runs, as well. The first encounter is a shock. The second is a stab in the heart.
At 33, Arman has decided to change his life. He starts by running and bumps into Amélie. From there, he will relentlessly seek her.
Xavier is a 40-year-old father of two who still finds life very complicated. When the mother of his children moves to New York, he can't bear them growing up far away from him and so he decides to move there as well.
To follow a new trend initiated by American advertisers, a female director, Margaux Bonhomme launches a casting to find women who speak, with the collaboration of casting director, Alexis Millet.
Eve, deposed princess, survives in a ruined country, with her servants, Yves and Anna.Her earthy flunkeys organize her absurds, poetics and violents recreations.
A group of young people are organizing. One night, they face the police who came to evacuate an African squat. Carmen meets Hussain, a young afghan poet. Crazy in love, they don’t leave each other. But a curse hangs over the city, papers are carrying death, bodies are falling. Panicked at the idea that he could get arrested, Carmen forbids him to go out, and locks herself with him. Gradually, Hussain get the feeling that she is watching him…
The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.
A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.
Nélie escaped a miserable existence by becoming a nurse on the front in 1914. One day, she takes on the identity of Rose, a well-to-do young woman who died under her eyes. Nélie, pretending to be the dead woman, visits Madame de Lengwil, an extremely rich woman she begins to work as a reader for. The lie works a charm, exceeding her expectations. Nélie does not only find a roof over her head, but also what she has been missing her entire life: love. But one day, the dead woman resurfaces.
An Easter weekend in a country town. On duty at the police precinct, lieutenants Francoise Ruiz and Clementine Arpinon are dealing with day-to-day matters. The ad hoc boredom arouses the tension between these two women that have very little in common. An intervention for disturbances of the peace at night gives them a chance to go beyond confrontation.
