Robert Gwisdek
Rammstein’s video for “Zeit,” the title track for their upcoming album, is the typically surrealistic and sensational kind of clip people expect from the German industro-metal group. There are shots of people drowning, scary wraith-like figures menacing kids in a fight, and the band members delivering babies as the sands of time surround them — all in reverse. It’s a visual feast, courtesy of director Robert Gwisdek, for an epic ballad in the group’s signature style, as frontman Till Lindemann sings in German about wishing time to stand still.
The cabaret artist Marc-Uwe and the kangaroo are faced with a problem: Lisbeth, the mother of Maria has taken a wrong turn somewhere and is now denying the climate crisis on the Internet. How can she be brought to her senses? The two make a bet with each other: If they don't manage to bring Maria's mother to her senses, they will lose their apartment. So Marc-Uwe and the marsupial embark on a trip to the Conspiracy Convention in Bielefeld and shortly thereafter become part of a tangible conspiracy led by conspiracy guru Adam Krieger and his followers. As the two flatmates talk their heads off, it's no longer just about their apartment for Marc-Uwe and the kangaroo, it's more than that: it's a matter of life and death! Translated with www.DeepL.com/Translator (free version)
1981, Quiberon, a small village on the coast of Brittany, France. Hilde Fritsch arrives to visit her old friend who has retreated to a spa hotel to escape the daily pressures of her life. Her friend is world-famous star Romy Schneider, but together, they appear like two regular women who are just happy to be reunited. Yet it quickly becomes apparent that Hilde is supposed to offer the support the sensitive actress needs to be able to truly face her own demons.
Having failed to get into the police force, Margarete takes up training as a security guard. One night she runs into a sexually agressive ex-colleague who insists on hailing a taxi to take her home to his place. Enter Tiger: short brown hair, a tough girl and a fighter, the cab driver. Realising that the situation is far from consensual, Tiger speeds off with Margarete, leaving her companion standing in the street. It won’t be the last time she rushes to Margarete’s aid. Tiger lives in an attic flat with two men. She knows how to wield a baseball bat. Stealing a uniform from security and renaming Margarete ‘Vanilla’, she begins to steer her life in a completely different direction.
Ferdi thinks he's ugly – but likes the fact Jona is interested in him. Maybe because she's blind. What Ferdi doesn't suspect: She's just pretending to be blind to be able to live cheaply in subsidized housing. How long can she maintain her charade? Can love, which is supposed to make you blind, even work out that way? Director Tom Lass takes a closer look, shooting with blind actors and old Berlin buddies, acting the lead himself – paying tribute to a way of life beyond our way of seeing the world.
In Ethiopia, Frank Michalka has found a new home and left his criminal past behind. But happiness does not last long and the former offender must go back to Germany. Once there, he immediately falls back into old patterns and robbed a bank.
A comedy centered on a sexually adventurous young woman who is trying to be the perfect wife, mother, and lover.
Deep in the Bavarian countryside Kleist’s historical drama Michael Kohlhaas is being shot. But instead of shooting a huge epic with impressive costumes and extraordinary props, grown-up men in suits fight with imaginary weapons. What has happened? Young director Lehman is fighting for his film, although all funds have been canceled. He’s convinced that the actor’s play and the fantasy of the audience will be sufficient. He fights for his vision as much as Kleist’s Kohlhaas fights for his rights. This film has to be finished. Whatever may come. Even if he has to go too far.
Based on a novel by Bernard Schlink (The Reader), The Weekend follows Jens as he leaves prison 18 years after being arrested as an RAF terrorist in Germany. Back with his family, friends, and ex-comrades, including his former lover Inga, Jens’ unexpected arrival disrupts their lives, forcing them to re-examine the violent idealism of their youth, especially as he insists on learning who had betrayed him to the police years before in this intense, gripping drama
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.
Frank Lehmann, 20, still lives with his parents in the dreary high-rise housing project "Neue Vahr" in Bremen. It's the year 1980 and Frank gets drafted to the army even though his friends assure him that "he's not really the guy for it". When he gets back home, after his first week at the army, his Dad has turned his room into a TV repair shop, so Frank has to move out. Luckily his old friend Martin is starting a commune with two other Punks in Bremens leftist borough "Viertel". Frank, without further ado rents the unlivable walk-through room. From now on Frank is a traveler between the Worlds. Each week he goes from the Army, with all the unconditional rules and regulations to the commune where his friends are preaching the world revolution. Frank is trying to avoid to stick out, but fails miserably, in both worlds.
Der beliebte Pädagoge Alex Berger (Brandt) steht entgeistert vor seinen Bücherbergen: Eine Schülerin, mit der er Sex hatte,wurde erschlagen am See der brandenburgischen Kleinstadt aufgefunden, nun plant das Kripoteam (Lavinia Wilson, Peter Lerchbaumer) einen Massen-Gentest. Berger beichtet seiner Frau (Corinna Harfouch) den angeblich einmaligen Seitensprung, mit dem Mord habe er aber nichts zu tun. Bergers Familie droht an der Belastung zu zerbrechen… Die Auflösung steht im Hintergrund, der Film konzentriert sich auf das Drama im Hause Berger. Fabelhaft: die dynamische Kamera und das auch in kleinen Rollen nuanciert agierende Ensemble.
A well-placed site manager and father slips into a midlife crisis and recalls promptly to a former lover. Satirical comedy that finds compelling cinematic narrative technique for the feeling of comprehensive alienation and emotional state of emergency worded precisely in images that make over room poetics, dramaturgy and color perspectivization experience the world of heroes transparent. The fact that the terseness is sometimes applied a little thick, weight to a minimum.
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
Somewhere in the middle of nowhere: after a wild party, seven people take part in a high-risk game. A well-known media mogul becomes their host, but then turns into a cynic. In the end, the seven people realize that the game only took part in their heads...
When Momo leaves his small home town to go to university, he is full of enthusiasm and confidence, but slowly the pressures of study and campus living begin to grind him down. Half way through his course he finds himself at a crossroads with both his relationship and studies.
He lived the junkie's life as a heroin addict. Triathlon transformed him. Biopic of the record breaking Ironman Andreas Niedrig.
10 Episodes, 10 actors, 10 fleeting sexual interludes snatched in modern-day Berlin in an bitter merry-go-round based on Schnitzler's theater-play Der Reigen.
Katja and Johann are two teenagers who are the best of friends. They spend most of their time in a ruined fort, fantasizing about an ideal world. Their relationship becomes threatened when Johann is taken ill with leukemia, and Katja's mother is undecided on whether to stay with her husband or leave with her lover.
The time is the French Revolution; the place is the village of Travers, ensconsed in neutral Switzerland. Prussian aesthete Herman Beyer is on the verge of divorcing wife Corinna Harfouch. Radical writer Uwe Kokisch, Corinna's lover, hopes to find a way of smoothing out animosities. What follows, however, is a nonstop drinking binge. The film subliminally addresses the then-prevalent issue of a divided Germany. Whether or not it succeeds is unimportant; Treffen in Travers (Reunion in Travers) has proven to be a crowd pleaser wherever it has been shown.
