Stig Björkman

Documentary about filmmaker and film lover Stig Björkman during the pandemic year of 2020 when he stay in touch with his friends over his laptop.

A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

6.6/10
9.1%

A personal portrait of mythical and controversial actress Ingrid Bergman based on her many home movies and diaries.

7.3/10
9.8%

This is a cinematic pilgrimage by two young Turkish directors to their biggest source of inspiration, Ingmar Bergman. Their desire to approach even further to Bergman and to his work leads them to make this journey from their hometown Istanbul to Sweden, the land of Bergman. Their journey passes through not only to Stockholm, Uppsala, Dalarna, Gotland and of course Faro, but will also be an inner journey to their own selves.

6.2/10

Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.

6.9/10

In the early fifties Ingmar Bergman got himself a cine-camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. "Bilder från lekstugan" ("Images from the Playground") embark on these films, giving a diverse representation of one of the greatest artists in cinema. iMDB

7.2/10

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson

6.8/10

The Scandinavian entry in the BFI's Century of Cinema series of documentaries

4.8/10

Torun and Mikael have been married for a few years. When vacationing on the Danish coast, their young son Melker accidentally drowns. Torun initially blames her sister, who was supposed to supervise her children. Later she turns her anger and grief against her husband. Since none of them know what to do with their feelings, they start to drift apart.

6.2/10

A Swedish writer is visiting Morocco. At his hotel, he stays next door to an Italian couple. He becomes obsessed with the woman, spying and following her. One night she knocks on his door.

5.8/10

A psychological drama. The action takes place within a few hours in a woman's life. She is burdened by the decision whether she should leave husband and child in favor of an American she has fallen in love with.

3.9/10

Literature graduate Orlando begins a love affair with the Foreign Ministry official Anders. She follows him to Argentina. There she learns that he is already married.

4.3/10

A fictional-documentary depicting Denmark in deep crisis: the country is hit by general strike, during the holding of a NATO summit in Copenhagen. Meanwhile, a minister is kidnapped by extremists and state power cracks down against the politically active leftists. Made with a cast of 192 non-professional actors, the film intervenes polemically into a period of intense debates about the media, worker militancy, terrorism and the anti-nuclear movement.

7.2/10

A day in the life of Monika, an ordinary, modern (ca.1975) Swedish woman. Her surroundings are a lot sleeker than her daily existence, though; she's unemployed, her husband is gone, and she's alone in the midst of what ought to be the good life.

6.7/10

On-set documentary on the making of Ingmar Bergman's The Touch.

8.1/10
9%

The great Diana Sands stars as a African American pop star with few political ideas, and no need for black-activist war deserters who want her voice for their cause--much to the dismay of the quietly seething white-hating Minnie Gentry. Georgia's mother-figure and companion fears for Georgia's soul--in every sense of the word. Written by Maya Angelou (but made on a low budget), this is a significant, powerfully radical movie-of-ideas in need of rediscovery. (IMDb)

7.3/10

Helena and Sten are a couple but the relationship is falling apart.

5.9/10
1.4%