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Anselmo Ralph's private life during 1 year.

A fable with people and furrys about the creative industry and the commercial arts.

Reality is much stranger than fiction. There is a scandal that could be revealed and the Portuguese Government is nervous. The Minister of Culture and her team have a crazy idea that, for that reason, can work: to produce, together with Brazil, the biggest and most spectacular telenovela of all time: "Corte Tropical".

A fable with people and furrys about the creative industry and the commercial arts.

With Don Quixote, by Cervantes, as a background the play is set in the backstage of a theatre house focusing on the routine of a young actor that's more of an extra - dreaming more than achieving, closer to failure than to talent he dreams of a life of glory and recognition. We watch romantic, artistic and social adventures and misadventures of a generations profoundly inept against another that simply gave up on being. A comedy about the fear of rejection with double edged swords and the tale of the knight of underachievement.

The story of a man. Maybe two. A father who leaves home taking nothing with him but the mailbox and a suitcase. He sits on a garden bench, on the street, waiting for a son's answer. Every day he sends him a letter and every day he hopes to get a letter back. Every day he combs his hair, puts a tie on, and shaves to be ready to receive that letter by the time the postman passes by.

Maria da Luz waits for her husband who got lost somewhere in Angola during the war. With no news, she finds herself surrounded by families that, like her, desperately long for some kind of hope regarding their loved ones fighting abroad. She takes the matter in her hands and starts tape recording loving messages from each mother, wife and other family members. Carrying the tapes, she travels to Angola and personally delivers these messages to each and every soldier in a personal quest right in the middle of a country in war.

Threatened by a fascist plot, the Portuguese government recruits several "special people" to stop the coup.

On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal