Дело о "Мертвых душах"

Somewhere in Northern Russia in a small Russian Orthodox monastery lives an unusual man whose bizarre conduct confuses his fellow monks, while others who visit the island believe that the man has the power to heal, exorcise demons and foretell the future.

The beautiful Tanya returns to her small mining town, after supposedly working as a model in Moscow. She decides to marry her shy school sweetheart Mishka, who now works in the mine. The miners finally receive some pay, but Mishka still ends up with no money to buy his bride a gift, so he seeks the help of his perpetually drunk buddy Garkusha. Mishka's poor working-class family all help to put on a fine wedding with copious amounts of vodka, even though they are suspicious of Tanya's occupation in Moscow, and of her connection with her Mafia ex-boyfriend Borodin.

Philippe meets the beautiful Oksana during a long layover in Moscow. Unfortunately, Oksana is the granddaughter of a murderous mafia don looking to trap a French speaking man to pull off a massive con.

Anthology of short films about the French city of Nice, by various directors. A homage to Jean Vigo and his "À propos de Nice" from 1930.

1988-1989. The end of the Soviet-Afghan war. The USSR begins its withdrawal from Afghanistan. Soviet General Vasiliev's son - a pilot named Alexander gets kidnapped by the mujahideen after his airplane crashes. As a result the 108th motorized infantry division's long awaited return home gets put on hold for one last mission: bring the General's son back. Based on true events the previously untold story of the courageous and tragic withdrawal campaign (through the Salang pass) reveals the danger the horror and the complexity of human nature during wartime.

In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last Judgment approaching. He establishes absolute power, cruelly destroying anyone who gets in his way. During this reign of terror, Philip, the superior of the monastery on the Solovetsky Islands, a great scholar and Ivan's close friend, dares to oppose the sovereign's mystical tyranny. What follows is a clash between two completely opposite visions of the world, smashing morality and justice, God and men. A grand-scale film with excellent leading roles by Mamonov and Yankovsky. An allegory of Stalinist Russia

Once upon a time, the great soprano Sofia Mayer conquered the world with her voice, her beauty and the legend she carefully built around herself. Now only the legend remains — the diva herself hasn't performed for years, nor been seen in the glittering circles of society she once dominated. But the woman who fascinated and thrilled the world for so long would like to crown her career with one more triumph. And she'll use every dirty trick she knows to achieve it.

Ivan is old Russia: thick, dour, hard-working, often brutish; he misses Communism. He drives a taxi and one night meets Alexi, a new Russian, a musician, an alcoholic, irresponsible. Alexi stiffs Ivan for the fare, so Ivan tracks him down and a love-hate relationship ensues. When Alexi lets the bath water run over in Ivan's flat and Ivan must pay 500 rubles for repairs, he tries to force Alexi into day labor to repay him. It's hopeless. Then, suddenly, Alexi is discovered, goes on a jazz tour of America, becomes a celebrity, and returns in triumph. Ivan longs to renew the friendship, and it looks as if he may get what he wants.

Through a first-person narrator, archival footage and photographs, and a contemporary camera, Pavel Lounguine uses the Moscow skyscraper where he grew up as a touchstone for looking back to Stalin and then examining today's Russia. This is Stalin's pyramid, his immortality. We visit people who have lived there for 50 years, see their flats (some modernized, others decaying), and listen to their histories: the son of a KGB man, a retired rocket scientist, a sculptor's son. an actor, seamstresses at a uniform shop, an ex-pat, and two artists. We see a kindergarten and remember marching; we watch parades and discuss surveillance. The commentary is wry: Putin emerges as Stalin's heir.

A 40-year-old writer returns to his family house where he was raised and that he escaped after half a lifetime - to face his brother who stayed instead, inherited their family bakery and married the woman who they both loved.