We're Millennials. Got a problem?

After being retrenched from his job at a Tokyo securities firm, Tsunezue Riichi decides to return to his hometown to work. He soon lands a job at the company GALAXYZ, a job that his parents highly recommended. GALAXYZ is a newly set up company, with young entrepreneur Kui Yoshiaki at its helm. Unbeknownst to Riichi, the company actually handles AV (Adult Videos i.e. Porn) projects. Even the OL's at the company's premises are actually all aspiring AV actresses. Throughout the entire company, everything is AV-centric, with even filming taking place within the office! Amidst all these, Riichi finds himself fascinated by a sweet charming girl, Momoko, another OL/AV-wannabe...

Rosuke Narumi works at a trading company and he is pretty good at his job. He dates Satoko Matsubara. The trading company has a business relationship with a private high school experiencing some difficulties. One day, Rosuke Narumi is appointed as the principle of the private high school. Rosuke Narumi soon discovers how different the work environment is from his previous job. So the school can run in the black, Rosuke Narumi implements cost cutting measures. School staff members including Chihiro Mashiba oppose his plan.

Abandoned by his father as a boy, Yuta grows up as the foster son of a restaurant owner and takes over the restaurant at the owner's death. Cheery, always smiling, always helpful, Yuta is known as Yama-chan, the friend everyone turns to. When Yuta discovers he had a hitherto unknown baby brother, he sets out to track him down. But the baby brother, Yusuke, has grown up to be half of a successful comedy team, the Kinjo Brothers, and Yusuke's professional "brother" has just written a best-selling book about their adventures growing up together. Yuta's appearance on the scene threatens to reveal that the book is a complete fiction and to set all three "brothers" into conflict with each other.

The story of a comedian in a horror set in the near future of post-corona.

Detective Suzunosuke Shikahama is currently suspended from work after a screw up. He gets together with Haruhi Mabuchi from the Administration Bureau, Sesuna Tsumiki from the Community Safety Bureau, and Ruka Kotori from Accounting. All from different departments and carrying their own baggage, the four join forces. They’re not exactly what you would call champions of justice. They’re not even ambitious enough to go for success. All they want is the truth.

Live action adaptation of the manga series. Hanada Ichiro is a mischievous boy, who attains the ability to see and talk to the supernatural after an accident to the back of his head. Notes: This original book is the big hit comic in Japan called "Boy Meets Ghost" written by Makoto Isshiki (published by Kodansha). In 2002, the animation of this book was broadcasted by the NTV net, and received the best animation award of Tokyo International Animation Fare in 2003 and the best long animation award of the 8th Asian Television Award.

Yasutake Shingo works as a newspaper reporter but his life is stiffled and lifeless. That changes one day when he meets the irrepressible Matsunaga Chie by accident. Just as their relationship is blossoming however, Chie tells Shingo that she has breast cancer. Shingo determines to marry Chie right away, but she'll have to go through surgery and cancer treatments firs...

The mayor of Oita wants to improve the image of his city, so he instructs Chiaki - a young woman working for the city's PR department - to form a female tug of war team. Nobuo MIZUTA mixes comedy, drama and a pinch of social criticism to tell a tale of eight women, their everyday struggles and their support for each other.

Aka: 252: Signal of Life At some point in the distant future, a massive, catastrophic earthquake strikes Tokyo, causing the temperature of the Pacific Ocean to rise meteorically and the largest typhoon in recorded Japanese history to sweep toward the city and inundate it with water. The Tokyo Fire Department and its team of crack rescuers swing into action, and shortly after they do, a distress call arises from an underground subway station - with repeated indications of the rescue code, 252 252, and the exclamation "We Have Survivors." It soon becomes apparent that the local rescue squad must attempt to save the survivors, doing so at the expense of their own lives and safety. Written by Nathan Southern