No dispares contra mí
The young law student David is involved in a series of small crimes that led him to discover the corpse of the husband of his French friend Lucile in the trunk of the car in which he runs away to France, which makes her join him of his trip. Film with a clear influence of the Nouvelle Vague
Casts & Crew
Ángel Aranda
Marta Flores
Federico Fontenova
Julián Mateos
Antonio Molino Rojo
Gustavo Re
George Rigaud
Lucile Saint-Simon
Jordi Torras
Also Directed by José María Nunes
Two lovers, a man and a woman, meet and separate in a timeless space.
The film has no clear plot. It deals with the reactions of an older man and a young woman to the news stories that occur in 1968: the May student protests, Vietnam, Biafra. It is scattered, apparently disconnected. The characters find themselves in illogical situations: in a train cemetery, in a ruined house where some young people edit a journal. There is no sound of steps, and doors, when opened or closed, make no sound.
A man explains his suicide, long meditated, as a manifestation of protest against the time in which he has lived. He tries to make an apology for the freedom that he has not been able to achieve, despite his permanent rebellion, only in some occasions when he has loved, with the few women he has had, with the friendship of a few friends and with the family of which only the father remains. He is happy when he knows that he will be released and he will achieve the absolute freedom so desired. Until the last moment, he retains the irony and a subtle humor.
"Tomorrow ..." (mañana...) is the easy exit to deceive themselves of those who feel the impotence and the cowardice to confront face to face their circumstances in life.
An important executive hires a hostess for 24 hours because he needs to tell someone all the intimate secrets he could never tell anyone.
A man and a woman, both disappointed with their partners, meet by chance at the beginning of the night. They will spend the night together drinking red wine in Barcelona's Chinatown.
A successful actress with three children takes an artist lover to fill a void in her life. This avant garde feature illustrates the alienation of an individual who is lonely despite the wealth and fame her career has brought to her. Jose Maria Nunes wrote the screenplay which relies heavily on verbiage and philosophical symbolism.
Maria, the last member of a good provincial family of long tradition, wants to live the atmosphere of these musical groups that proliferate all over the world. He meets Ricardo, a former partner in the advertising world, who has self-marginalized because he got to the point where he felt disgusted by this false world. Maria tries to leave him, but has just integrated into this chaotic environment.