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Stations of the Cross
Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when she’s at home with her family she follows the teachings of the Society of St. Paul and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct...
Dietrich Brüggemann
Casts & Crew
Lea van Acken
Franziska Weisz
Florian Stetter
Lucie Aron
Moritz Knapp
Michael Kamp
Georg Wesch
Chiara Palmeri
Linus Fluhr
Birge Schade
Ramin Yazdani
Hanns Zischler
Selina Sue Steeg
Anna Windhab
Andreas Warmbrunn
Christian Ienco
Elli Seifert
Nicolaj Wolf
Moa Stiefelmayer
Samira Hadi
Zoé Hauser
Michael Kurras
Pierre Londiche
Barbara Bernt
Anna Brüggemann
Lena Lessing
Susanne von der Heydt
Sven Taddicken
Also Directed by Dietrich Brüggemann
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF 2 in Austria and SF1 in Switzerland. The first episode was broadcast on November 29, 1970. The opening sequence for the series has remained the same throughout the decades, which remains highly unusual for any such long-running TV series up to date. Each of the regional TV channels which together form ARD, plus ORF and SF, produces its own episodes, starring its own police inspector, some of which, like the discontinued Schimanski, have become cultural icons. The show appears on DasErste and ORF 2 on Sundays at 8:15 p.m. and currently about 30 episodes are made per year. As of March 2013, 865 episodes in total have been produced. Tatort is currently being broadcast in the United States on the MHz Worldview channel under the name Scene of the Crime.
An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.
A queer trans-ethnic movie kiss leads to considerable turmoil.
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.
Four weeks ago, the members of the Ostfildern Oasis building community moved into their building and the foundation has to be re-excavated due to a sealing problem. An even bigger problem emerges: an unidentifiable female corpse. Thorsten Lannert and Sebastian Bootz try to find their way between group meetings and expressions of feelings by the residents in order to obtain clues about the identity of the dead.