Anna Brüggemann
Four weeks ago, the members of the Ostfildern Oasis building community moved into their building and the foundation has to be re-excavated due to a sealing problem. An even bigger problem emerges: an unidentifiable female corpse. Thorsten Lannert and Sebastian Bootz try to find their way between group meetings and expressions of feelings by the residents in order to obtain clues about the identity of the dead.
Germany, 1933: Little Anna Kemper lives with her family in Berlin. Since her father, a famous theater critic, is an open opponent of the National Socialists, he has to flee to Zurich after Hitler's rise to power. The mother, Anna and her twelve-year-old brother soon follow him. Because there is hardly any time to prepare for the escape, Anna has to leave her beloved stuffed rabbit in a hurry. But the family does not find a permanent home in Switzerland either. Again and again Anna has to adapt to the constantly changing circumstances, face new challenges with her family and face great privations. Nevertheless, Anna tries not to lose braveness.
The story of a married but separated couple Matthias and Anna, although the wounds are still open, together planning the birthday-party of their son Lukas. When, at the end of the party, little guest Julius isn't picked up by his parents, a rapid chain of events take place.
Ferdi thinks he's ugly – but likes the fact Jona is interested in him. Maybe because she's blind. What Ferdi doesn't suspect: She's just pretending to be blind to be able to live cheaply in subsidized housing. How long can she maintain her charade? Can love, which is supposed to make you blind, even work out that way? Director Tom Lass takes a closer look, shooting with blind actors and old Berlin buddies, acting the lead himself – paying tribute to a way of life beyond our way of seeing the world.
A dark cloud is creeping over Berlin. As the citizens go about their daily activities, Kore is haunted by a black shadow – a menacing memory from the past. Meanwhile, a full-grown bear escapes from its cage, throwing the whole city into a panic. There is no way out – Kore must face her worst fear.
In the third film of the successful series, Jan Fedder is back as a Pastor Book with body and soul. To look after human destinies in St. Pauli, he sees as his life's task, no matter what milieu they come from or what confession they belong. The fallen and stranded people challenge him this time especially.
In his new case, Marthaler is puzzled. A bachelor party ended with a cruel bloody act. While the investigations lead Marthaler to France, there are more murders in Frankfurt. Marthaler and his team soon chase after a beautiful stranger, who seems to be the key to solving the case. Continuation of the successful series with Frankfurt Chief Commissioner Robert Marthaler, based on novel works by Jan Seghers.
Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when she’s at home with her family she follows the teachings of the Society of St. Paul and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct...
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.
Summer 1780: On the way to Salzburg Emanuel Schikaneder's theatre group gets held up in a small mountain village on the Austrian border due to a missing performance permit. In this village a dispute between mine owner Paccoli and the rebelling mine workers is escalating. The situation immediately inspires Schikaneder with the idea for a new play- but before long not only the mineworkers, but also Schikaneder's performers take to the picket line. This is because Schikaneder seems to care more about spending time with high society than his actors, who the Landlord refuses to feed until Schikaneder pays the outstanding bill. A hastily put together open air performance by the troupe leads to major disruption....
Four stories dealing with the dialectics of enlightenment, with the randomness of love, birth and death. Aleks participates in an experiment facing civil war in former Yugoslavia. Sarah tries to escape loneliness by investigating a murder. Bastian has to deal with his father's decision to die. Anna dances with a foreign man. How destructive is the unlimited search for insight? Should one lie in order to protect a loved one, who'll be destroyed by truth?
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
About sweeping love, rock & roll and getting rid of all that stale air of the fifties. You've got the good guys - that's Lulu and Jimi - and the bad guys: Lulu's mother Gertrud, her secret lover Schultz, the chauffeur, and a wicked old shrink, Von Oppeln, crouching in his gloomy office like a spider waiting to pounce on his prey Lulu. Light and darkness, bright garish colours, hot rock & roll and wild dance numbers mark this road movie about lovers fleeing from the evil powers of a deeply bigoted society. A drama about the relationship between a young black man and a rich German girl.
Thomas and Hanna, a deliriously happy couple in their late 30s, buy an old house in the country with plans to fix it up over the summer. Hanna is looking forward to their time together – so when Thomas invites his older brother, Friedrich, who is deeply depressed over the failure of both his business and his marriage, to join them, she is disappointed by the intrusion. Easygoing, charming, and talkative, Thomas seeks to counterbalance the cloudier mood with an impetuous frenzy of activity, but Hanna retreats into sullenness and retaliates by bringing in her nubile young godchild Augustine until things smooth themselves out. Augustine’s youthful sexiness has anything but a soothing impact on Thomas, however, whose adolescent impulses linger just below the surface.
When Julia, a frustrated literature professor, gets the opportunity to teach in Paris for one year, the dream of her life comes true. Living in a small, but charming hotel room, she is annoyed by her young neighbors because of their unmistakable sex life. However, she soon gets to know them personally...
A weekend in the Bavarian Alps. 25-year-old Hannes meets his father after 8 years of separation in a little mountain hut. By the influence of their very different girlfriends Ann and Lavinia, the stage-director-father and his actor-son cautiously try to make a new start. A bold venture, leading all of them to an abyss of unforeseen cruelty.
Two twin brothers are living on a different sides of Berlin Wall after being separated after birth.
A young girl steals a car and drives to the Baltic Sea to bury her dead boyfriend.
Two boys (Ken Duken and Luca Verhoeven) try to get into the Munich Disco "Spy", but Dennis, the chief of Disco doesn't allow them to enter the club. This is the whole story - believe it or not, but director and writer Simon Verhoeven made a movie with a runtime of 88 Minutes based on this story. Low budget, but great fun. Nice pictures of Munich, good and intelligent ideas (Floh and Marcel are playing football, while Werner Hansch, a famous german TV-Sport-Presenter, reports their game to the audience)make the movie worth to be seen. Not a revolution, but, as said, it's fun.
In the brief period of peace after a terrible war on a far future Earth, an outer-space military academy is attacked by an unknown and unstoppable alien force. The commander, along with a group of newly graduated cadets, escapes to a large research station. Pursued by the aliens, the station jumps through a mysterious hyperspace gateway that sends them to a planet in an unknown part of the universe.
