Maternidade
Inês Gomes
Manuel Mora Marques
Ana Morgado
Ana Lúcia Carvalho
Sebastião Salgado
Vasco Monteiro
Sérgio Graciano
Pedro Lopes
Casts & Crew
Lúcia Moniz
Patrícia Bull
Martinho Silva
Isabel Figueira
Cláudia Semedo
Miguel Mestre
Rui Paulo
Sofia Duarte Silva
Sofia Correia
Miguel Costa
Margarida Carpinteiro
Pedro Diogo
Cleia Almeida
Luís Lucas
Miguel Damião
Rita Blanco
João Reis
Sara Mestre
Ricardo Carriço
Raquel Cipriano
Alexandre de Sousa
Paulo Pinto
Rita Frazão
Catarina Mago
Maria d'Aires
Bruno Bravo
Mafalda Vilhena
Paulo Oom
Tomás Alves
António Cordeiro
Cristovão Campos
Cláudia Negrão
Miguel Borges
Sofia Sá da Bandeira
Sandra Faleiro
Maria Ana Filipe
São José Correia
Teresa Tavares
Joana Metrass
Adriano Carvalho
Anabela Moreira
Mafalda Luís de Castro
Débora Monteiro
Ana Nave
Madalena Brandão
Ana Brito e Cunha
Ana Padrão
Dmitry Bogomolov
André Nunes
Carlos Vieira de Almeida
Beatriz Costa
Catarina Avelar
Kjersti Kaasa
Alexandre Ferreira
Ana Marta Ferreira
Dânia Neto
Anabela Teixeira
Lia Gama
Dinarte Branco
Gracinda Nave
Monica Calle
Bruno Simões
Catarina Cardoso
Luís Gaspar
Roberto Candeias
Juana Pereira da Silva
Joana Bárcia
Carlos Malvarez
Teresa Macedo
Carla Galvão
Joana Figueira
Mafalda Matos
Natalina José
Rosa Castro André
Carlos Oliveira
Carlos Sebastião
Laura Soveral
Duarte Guimarães
Maria Botelho Moniz
Ângelo Torres
Mariana Norton
Maya Booth
Oceana Basílio
Filomena Gonçalves
Rita Brütt
Rosa do Canto
Nuno Pardal
Martim Pedroso
Diana Costa e Silva
Luís Mascarenhas
Tiago Barroso
Ciomara Morais
Peter Michael
João Saboga
Maria João Pinho
José Raposo
Sónia Balacó
Rodrigo Saraiva
Eurico Lopes
Tobias Monteiro
Lígia Roque
Raquel Dias
Rui Melo
Sisley Dias
Philippe Leroux
Vera Alves
Pedro Giestas
Rui Neto
José Boavida
Rita Ruaz
Ricardo Aibéo
Susana Arrais
Pedro Pernas
Sara Salgado
Sergio Silva
Mónica Garnel
Sílvia Alberto
Rita Durão
Pompeu José
Sofia Aparício
Pêpê Rapazote
Sofia Espírito Santo
Sofia Leite
Viriato Quintela
Jorge Henriques
Alexandra Freudenthal
Also Directed by Sérgio Graciano
Reality is much stranger than fiction. There is a scandal that could be revealed and the Portuguese Government is nervous. The Minister of Culture and her team have a crazy idea that, for that reason, can work: to produce, together with Brazil, the biggest and most spectacular telenovela of all time: "Corte Tropical".
A fable with people and furrys about the creative industry and the commercial arts.
With Don Quixote, by Cervantes, as a background the play is set in the backstage of a theatre house focusing on the routine of a young actor that's more of an extra - dreaming more than achieving, closer to failure than to talent he dreams of a life of glory and recognition. We watch romantic, artistic and social adventures and misadventures of a generations profoundly inept against another that simply gave up on being. A comedy about the fear of rejection with double edged swords and the tale of the knight of underachievement.
The story of a man. Maybe two. A father who leaves home taking nothing with him but the mailbox and a suitcase. He sits on a garden bench, on the street, waiting for a son's answer. Every day he sends him a letter and every day he hopes to get a letter back. Every day he combs his hair, puts a tie on, and shaves to be ready to receive that letter by the time the postman passes by.
Maria da Luz waits for her husband who got lost somewhere in Angola during the war. With no news, she finds herself surrounded by families that, like her, desperately long for some kind of hope regarding their loved ones fighting abroad. She takes the matter in her hands and starts tape recording loving messages from each mother, wife and other family members. Carrying the tapes, she travels to Angola and personally delivers these messages to each and every soldier in a personal quest right in the middle of a country in war.
Threatened by a fascist plot, the Portuguese government recruits several "special people" to stop the coup.
On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal